Milan Dobes Multiple, 1974
Silkscreened Op Art multiple on cut and folded card stock, by Slovakian constructivist and optical-kinetic artist Milan Dobes (b. 1929). Signed, dated 1974, and numbered 142/200. 3" x 3" folded. Presented by Dobes to Dr. Thomas Allen of Oakmont, PA, as a New Year's greeting for 1975. With a signed paper portfolio, along with the original mailing envelope. Renowned in (what was) Czechoslovakia, where there is a Milan Dobes museum in Bratislava, Dobes has also been featured in solo exhibitions in the United States, Austria, and Cuba, and was represented in Documenta 4 in Germany in 1968, and Expo '70 in Osaka. Pristine multiple, faint bumping to portfolio, light creasing to clean envelope.
Silkscreened Op Art multiple on cut and folded card stock, by Slovakian constructivist and optical-kinetic artist Milan Dobes (b. 1929). Signed, dated 1974, and numbered 142/200. 3" x 3" folded. Presented by Dobes to Dr. Thomas Allen of Oakmont, PA, as a New Year's greeting for 1975. With a signed paper portfolio, along with the original mailing envelope. Renowned in (what was) Czechoslovakia, where there is a Milan Dobes museum in Bratislava, Dobes has also been featured in solo exhibitions in the United States, Austria, and Cuba, and was represented in Documenta 4 in Germany in 1968, and Expo '70 in Osaka. Pristine multiple, faint bumping to portfolio, light creasing to clean envelope.
Silkscreened Op Art multiple on cut and folded card stock, by Slovakian constructivist and optical-kinetic artist Milan Dobes (b. 1929). Signed, dated 1974, and numbered 142/200. 3" x 3" folded. Presented by Dobes to Dr. Thomas Allen of Oakmont, PA, as a New Year's greeting for 1975. With a signed paper portfolio, along with the original mailing envelope. Renowned in (what was) Czechoslovakia, where there is a Milan Dobes museum in Bratislava, Dobes has also been featured in solo exhibitions in the United States, Austria, and Cuba, and was represented in Documenta 4 in Germany in 1968, and Expo '70 in Osaka. Pristine multiple, faint bumping to portfolio, light creasing to clean envelope.
