Lucio Del Pezzo: Mondo Come Misura e Dissoluzione (Inscribed)
First edition monograph on Italian painter and sculptor Lucio Del Pezzo (1933-2020) with text by Arturo Carlo Quintavalle. Published in 1970 by Istituto Di Storia Dell’Arte Dell’Universita Di Parma. Del Pezzo, a co-founder of 58 Group in Naples, employed a neo-Dadaist and neo-surrealist approach in creating geometric assemblages that included found objects like rolling pins, bowls or mannequins. Square 8vo (9.25” x 9”), 237 pages, pictorial wrappers, b/w illustrations. Text in Italian. With a checklist and bibliography at the end. Warmly inscribed (…with thanks and friendship…) in French by the artist and dated Paris Juin 1970. Moderate bumping and chipping to extremities, with considerable rubbing to wrappers. Binding weakened in first nine leaves, with six leaves now loose. Scarce, especially inscribed.
First edition monograph on Italian painter and sculptor Lucio Del Pezzo (1933-2020) with text by Arturo Carlo Quintavalle. Published in 1970 by Istituto Di Storia Dell’Arte Dell’Universita Di Parma. Del Pezzo, a co-founder of 58 Group in Naples, employed a neo-Dadaist and neo-surrealist approach in creating geometric assemblages that included found objects like rolling pins, bowls or mannequins. Square 8vo (9.25” x 9”), 237 pages, pictorial wrappers, b/w illustrations. Text in Italian. With a checklist and bibliography at the end. Warmly inscribed (…with thanks and friendship…) in French by the artist and dated Paris Juin 1970. Moderate bumping and chipping to extremities, with considerable rubbing to wrappers. Binding weakened in first nine leaves, with six leaves now loose. Scarce, especially inscribed.
First edition monograph on Italian painter and sculptor Lucio Del Pezzo (1933-2020) with text by Arturo Carlo Quintavalle. Published in 1970 by Istituto Di Storia Dell’Arte Dell’Universita Di Parma. Del Pezzo, a co-founder of 58 Group in Naples, employed a neo-Dadaist and neo-surrealist approach in creating geometric assemblages that included found objects like rolling pins, bowls or mannequins. Square 8vo (9.25” x 9”), 237 pages, pictorial wrappers, b/w illustrations. Text in Italian. With a checklist and bibliography at the end. Warmly inscribed (…with thanks and friendship…) in French by the artist and dated Paris Juin 1970. Moderate bumping and chipping to extremities, with considerable rubbing to wrappers. Binding weakened in first nine leaves, with six leaves now loose. Scarce, especially inscribed.
